24 Pièces de fantaisie, Opp.51, 53-55
Scores on IMSLP
PDFs are hosted by IMSLP. Choose an edition or open its IMSLP work page.
Complete Score · 21.76 MB, 168 pp. · IMSLP #906176
PDF on IMSLP ↗IMSLP work page ↗Nos.1-6 (Suite No.1, Op.51) · 3.98 MB, 33 pp. · IMSLP #906177
PDF on IMSLP ↗IMSLP work page ↗Nos.7-12 (Suite No.2, Op.53) · 6.08 MB, 43 pp. · IMSLP #906178
PDF on IMSLP ↗IMSLP work page ↗Nos.19-24 (Suite No.4, Op.55) · 5.59 MB, 46 pp. · IMSLP #906180
PDF on IMSLP ↗IMSLP work page ↗
How to play
Historical context
Vierne’s 24 Pièces de fantaisie are four suites of six character-pieces each - Opp. 51, 53, 54 and 55 - composed in 1926-27 around the time of his celebrated North American tour. Many of the pieces carry dedications to the American and English organists and organ-builders who had championed him; the First Suite was first heard on the colossal Wanamaker organ in New York on 4 February 1927.
The set holds the two best-loved miniatures Vierne ever wrote. Clair de lune (Suite No. 2, Op. 53) is a hushed nocturne in D-flat, dedicated to his friend Ernest Skinner, the organ-builder of Boston. And the Carillon de Westminster (Suite No. 3, Op. 54), dedicated to the London builder Henry Willis, spins a whole movement out of the Westminster Quarters - the chimes of Big Ben - climbing from a single distant phrase to a full-organ peal that has rung out from countless recital encores since.
Drawn from public reference sources (Wikipedia, standard organ-repertoire references).