Robert Schumann › Op26

Faschingsschwank aus Wien

Op26 · Instrumentation: Klavier

DeutschlandErste Hälfte 19. JahrhundertRomantikKlaviermusik

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Historical context

The origins of “Faschingsschwank aus Wien, Op. 26” are illuminated by Robert Schumann’s own plans for its publication. In 1839, Schumann wrote about his intentions for the publisher Mechetti, who was to receive several of his works. Among these, he mentioned a piece he then called “Leichenfantasie,” which he noted he would later title “Nachtstücke.” Immediately following this, Schumann specified that Mechetti was also to have “a ‘Faschingsschwank aus Wien, ein romantisches Schaustück.’”

This early mention by Schumann himself provides a direct glimpse into the work’s conception and its intended character. His descriptive phrase, “ein romantisches Schaustück” — a romantic showpiece — offers a window into how the composer envisioned this vibrant creation even before its full public unveiling. It suggests a work designed to captivate and display a romantic spirit, as articulated by Schumann in 1839.

Drawn from May Herbert, Early Letters Of Robert Schumann (1888) — public domain, archive.org.

Further reading