Robert Schumann › Op13
Symphonic Etudes
Scores on IMSLP
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11. Adagio and Variation, 12. Allegro brillante · 5.32 MB, 42 pp. · IMSLP #786611
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Historical context
Robert Schumann began work on his Variations on Hauptmann von Fricken’s theme around 1834, intending to call them “pathetic.” As he wrote that year, he “has endeavored to portray the pathetic element in different colors” within the piece. By 1837, Schumann presented these Studies, which would become his Symphonic Etudes, to Moscheles, noting that some of them were nearly three years old. He expressed his confidence in the work, stating that ‘Some of them I still like — they are nearly three years old’.
However, Schumann himself had reservations about the work’s public reception. In 1838, he observed that Clara Wieck was wise not to play his Etudes in public, as they are “not suited for the general public.”
Drawn from Schumann, Robert, 1810-1856, The letters of Robert Schumann (1907); May Herbert, Early Letters Of Robert Schumann (1888); Schumann, Robert, 1810-1856; Storck, Karl, 1873-1920; Bryant, Hannah, The letters of Robert Schumann; (1907) — public domain, archive.org.